27.6.24

Four Poems by Mark Young

He’s Beginning to Disappear

 

Subtle but inescapable. The small

things vanish first — a few eye-

lashes, a corner of one shoulder.

 

But they're not the critical items.

Those are kept in the minds of other

people, in their memory banks; &

 

it's there that erasure occurs, some-

times gradual, sometimes rapid,

always inexorable. Comes a time

 

when your best friend today turns

to another BFT & asks them: who's

this person that you're talking about?

 

 

A line from Buster Keaton

 

A small tube, with a tiny camera

attached, is inserted into an incision

filled with acrylic shavings & tur-

quoise chips made from artificial

 

stones. Purified kraft lignin permits

its adherence to untreated fabric —

an alternative to using glue which

would tear that camera to pieces. "Why

 

is this all being done in my name? I did-

n’t ask for it." "But it’s done as a homage

to you, a song of praise for that — isn’t it? —

bedpan humor you’re renowned for."

 

 

another / poem from / the spam box

 

Fortunately, your money has been reviewed.

Your new assistant's trade was executed pleasantly.

Recuperate your prevalent ID profile, liberally check.

 

Your yearly plan will after a short time go into results.

The got demand bill has been charged no further.

 

We esteem your deeply grounded legitimacy in the eyes.

Assuming no one really cares either way, practice in-

dustriousness while your demise request is inspected.

 

 

Surveillance astrolabes

 

In this rapidly evolving digital land-

scape, buying more than the necessary

 

amount of needed items simply says

you care less about saving money &/or

 

saving the planet than seizing each &

every opportunity to demonstrate how

 

important conspicuous consumption has

become in validating your way of life.

19.6.24

Five Poems by Brian Le Lay

Sun Gulp Residue

We land for smoke
in a horizontal secret
& find our private floatiness

snow reaching to a parcel of doubt,
transported from its parent forest
despite appearances
of approximate heat

Avail the universe in which,
smoked in a horizontal secret,
we find a walnut.

Furnish the field of vegetable life:
moss & porphyry,
unpeopled sea.


Surgeon to the Forests

I have been led away
to fuse a glove of vines

away from you

a kettle's moon
from cold brother motion,

his sail light & fluffy

I write you now
in a moment of down
to maintain the song of your cat

I have kept to the marrow
recompense myself
again to sleep

away from you

Stomach among my art
for a few hanging apples,
governed by your noon.


Miss Yamaguchi's Hat

A new
blue hat

under
which to

watch
the wheel

whine in
attempt,

bag full
of apples,

advents
feed on

ink, lead
us along

drifts by
a collar

of snow
across

a healthy
red street

to last &
first sleep.


Raisin Pips

obsolete seats followed supper
through unkindness bouquet.

raisin pips that rid ——— of much guest,
without overshoes foundation

last resentments laid upon a napkin crane
much character in young punch

ribboned royal players
carp with able hangmen

—oh you of most principle
feted with joie de vivre

Third expedient think


Decaying Vistas

birthing photon
o mangy afterglow

larval emulsions flout
glacial tailwind

foreplay no awake
for awake mister

terrestrial paleface
must have crevassed

alkaloid upon my
gaze hunger

in biomechanical
fling of peekaboo

15.6.24

Two Poems by Zoe Grace Marquedant

tanka for driving through a heatwave

summer and shelter
melt into a neon river
the parking structure awning
cherished and welcome
as this roadside ice cream stand

tanka during storm warnings  
 
move home, a return
a river running backward
inverse of nature
to land marked as “no trespass”
red-eyed radio towers
 

10.6.24

Slices, by Pravasan Pillay

It's 11.30 a.m. The beginning of autumn. I have been writing for three hours, and it's time for lunch – or, perhaps, a late breakfast depending on how you see it. Lunch today will be a cheese sandwich. This is always my lunch when I'm at home writing, so not much decision-making has happened here.

I remove my headphones, close my notebook and laptop, get up from my desk, and walk the few steps to the kitchen. I take three slices from the sandwich loaf we have on hand, and place them flat on the breadboard – which in Swedish homes often pull out from the kitchen counter.

I grab margarine and cheese – this time it's a widely-available variety called prästost (priest cheese) – from the fridge, and place them on the countertop. I reach over to the drying rack and fish out the cheese slicer and a butter knife from amongst the flatware.
 
I use the butter knife and slicer every day so they never actually reside in any particular kitchen drawer. The rack is their home.

Next, I open the margarine tub and, using the knife, scrape generous curls, which I spread  – to all corners – of the bread slices. With the cheese slicer I plane long, evenly thick pieces from the cheese wedge.
 
It is important for the surface of the cheese wedge to remain level throughout this slicing, and subsequent slicings. In Sweden, a person who slices unevenly from a cheese wedge is looked down upon. The wedge this person has cut from is disparagingly called a “skidbacke” – because it resembles a ski slope.
 
Once the cheese slices have been successfully Tetrised on the bread, I horizontally cut the sandwich. I only cut sandwiches diagonally on special occasions; if I'm requested to; or if the contents of the sandwich warrant it.
 
I return the cheese and margarine to the fridge. I place the sandwiches on a saucer and walk to our sofa, where I read an article on my phone, which I saved from yesterday. It takes me eight minutes to eat my sandwiches, after which I head back to the kitchen, drink a glass of water, and wash the dishes.
 
Lastly, I use the palm of my hand to sweep the breadboard clean of crumbs, deposit them in the garbage can, before pushing the board back into the counter. I then walk to my desk, put my headphones on, open my notebook and laptop, and start writing again.

5.6.24

Two Poems by John Grey

SUSPICIOUS DEATH
 
Under gray sky,
the body idles,
until found by a passerby,
until the cops, the ambulance,
arrive.
 
The morning
trudges slowly through clouds
nine-tenths of its light unseen,
while the dead man
never did leave night behind.
 
Crows are first on the scene,
start the conversation
with a series of hacking caws.
 
The corpse’s reply
says nothing of who it was,
only where it can be found.
 
 
BEING SOULLESS
 
I’m just bones sometimes,
pointed or straightened,
supporting one another
like knee to chin,
or grinding when they infringe
on foreign territory.
I’m a rib cage,
and wrists and ankles.
And a skull that my spine
does its best to keep vertical.
 
What else do you wish to know?
The soul? Open the page of
your anatomy book. 
Show me where to look.
Oh I’m a pound of flesh I grant you.
Around the waist especially.
And I’m this wrap of facile skin,
soft and pliable, liable to sever
when a sharp object is applied.
 
Apparently, you want me to be more
than just this skeleton with stuff applied.
But you’ve caught me at the wrong moment.
This is my men’s store dummy phase.
I’m hanging out, just being my body:
intestines, liver, kidney, even heart,
but the one that pumps out blood
not poetry.
 
Show me that book of yours again.
Go to the section on diseases,
the one on injuries.
That’s what I risk by being who I am.
But they’re the only risks.
I think you’ll find
there’s no mention of you in there.
 

3.6.24

Three Poems by John Popielaski

Free Association

 
            When my father came home
            from his father’s funeral,
            he said we might be Russian,
            Jewish even. He said other things,
            like how his father looked
            better than he had in fifteen years.
            I still don’t know if that was humor
            in the process of transmuting grief.
            My mother didn’t want me
            seeing death at that age.
            I was eleven, old enough
            to say goodbye, to wrestle
            with the undefeated. What she was
            thinking I can’t say, but even now
            I rarely go to funerals. I’m smiling
            now because I’m thinking, probably
            because of what my father said
            in line four, of the palest person
            I have ever known. Michael Rosen,
            known as Spider, shielded
            by the highest-number sunscreen,
            was the first to take a Playboy
            from his father’s bureau
            and reveal it to us in the daylight
            with a play-by-play narration
            of its glossy contents.
            He and I were sitting at a table
            in a tony place in Georgetown,
            overlooking the Potomac River
            on a June night in the Clinton years.
            Spider was more confident
            and buzzed than I had ever seen him,
            and he leaned back in his chair
            and said with borrowed smoothness,
            “Hey, now,” each time someone lovely passed.
            It is the world’s way sometimes
            not to recognize an inborn gentleness
            as the default. So I explained
            that people didn’t know him
            well enough to laugh. They didn’t know
            the number sunscreen he depended on,
            his inability to tie a tie.
            I don’t remember when I saw him last,
            but I remember in that era he was dating
            someone domineering from Iran
            and I was working for a man named Lovejoy,
caring for a pair of Shelties
            named for isles in the Hebrides.
 
  
Strange
 
            The other day I did a thing I’m certain
            that my father never thought to do.
            I spent a quarter of my paycheck
            on an oil painting by a friend
            I haven’t seen in more than twenty years.
            It’s sixteen by twenty inches,
            and I wonder where I got the gene
            that has no problem with me staring
            at the space I have allotted for the painting
on the wall between the living room and kitchen.
            Like my father, I had not considered
            how much time is necessary
            for such art to fully dry.
            So I’ll be driving to my friend’s house
            near the Hudson River at the end
            of May to claim the painting,
            which is called Strange House,
            and do a little hiking in the Catskills,
            which I’m certain is another thing
            my father never thought to do.
            As you can probably tell, I’m trying,
            since it’s been so long,
            to hold more tightly to my father,
            to remember similarities
            and differences as clearly as I can.
            When times were tight,
            I went with my father to his night job
            cleaning banks. We vacuumed,
            dumped the trash cans, stood beside
            each other polishing the vault door,
            strangers somehow but beloved.
 
  
Idyll
 
            In 1976, a sparkler flaring
            in each hand in celebration
            of the Fourth, I couldn’t have
            imagined that Estonia
            or any other country in the world
            could be more free than what the song
            has always said quite clearly
            is the land, no irony,
            no winking, of the free.
 
            But there it is.
 
            The Human Freedom Index doesn’t lie.
            I’ve checked it fifty times, and each time
            Latvia is still four places higher
            than America, which I was taught
            was basically a synonym
            for freedom. We are tied
            for seventeenth with Lithuania
            and the United Kingdom. Countries
            I had no idea were countries,
            no offense to Cabo Verde,
            are as close to us in terms of being
            free as we are to New Zealand,
            poised at number two, this close
            to Switzerland, the leader
            of the free world, which I can’t help
            feeling should be our position, #1,
            the perch and title we would have
            to jump the likes of Luxembourg
            and Denmark to reclaim.
 
            If you had told me all this
            on the Bicentennial, I would have twirled
            my sparklers in your eyes
            and found my father by the orb grill
            or my grandpa who had ties to World War II
            and asked if it could ever be true
            that a country that has never been
            the setting of a Western
            or the home of Abner Doubleday
            could ever be more free than we are.
 
            We’d listen to the sizzle
            of the flesh whose plight was not on us
            and to the independent fireworks
            on other blocks, in other yards,
            to ice cubes and the opening
            and closing of the Coleman,
            to unbridled laughter and to talk
            of mostly nothing, to mature
            forsythia adjusting to the breeze,
            and we’d know that no other country
            in the world was waiting as we were
            for nightfall and the big show to begin.