1.2.26

Three Poems by Alex Rainey Ward

Muezzins

 

Trying to tame my wildness

my hair’s askew

my hair’s on fire

my wildness is up to no good.

In the Zoo Shop there are

10,000 parakeets,

each one of them happy

as fuck.

I knocked on Death’s door and

Death ran away,

I thumped on Death’s door like

thumping a melon to see if

it was ripe yet.

My wildness is on fire

my mind is the muezzins’.

 

Waystations

 

I feel so candid in my naked body

sitting here on the couch with a

towel under my ass

with the man tits I fought so

hard against

just like my mother trying to

rid herself of her little

potbelly,

using bogus products she bought

for $9.99.

Finally she gave up,

she’d rest her hands on her

little potbelly and eat buttered

Pop-Tarts, slumped down

on the couch.

A couch, a TV, waystations.

Demurely, I’ve drawn the

curtains

but the naked light bulb’s

blazing

I want to throw open the curtains

and appall the night.

It’s 2 am, the city’s timid.


Railyard

 

The night’s a railroad track, the moon’s a train, and all the rest is ash.

The dark matter of the universe is just ash and cinders,

something enormous was burnt, maybe the body of God,

sacrificing himself in the act of creation.

And everything’s still unfinished, in disarray,

the Kuiper belt, for example, which is maybe hiding the

real solar system with a better Earth in it,

this one’s only a rough draft.

The night’s slivers, spars, spurs of a railroad,

the rails look like silver hissing serpents’ tongues.

Ore cars parked on a siding, a cashiered old

passenger car, an old dining car still coupled,

going fusty and musty, like a man and wife rotting in the grave together. 

Maybe from the chaos of the railyard a train will

gather into one long thing and start

rolling through the night, thrumming rhythmically,

rocking gently side to side, carrying everybody home. 


Alex Rainey Ward

30.12.25

Prose Poetry by Stephen Guy Mallett

Mineral Waste

You said the amygdala-shaped part of what you expect of it is. The dots of what they are on the grid of what they will be froze into one into what you called the infinity of the crystal item always into the immobility of a point of view. Sawtooth National Forest trail 680 Gunsight Lake southeast of Chinese Wall ID 11238 feet above sea level north of line parent Calkins Peak White Cloud Mountain. Jade cut from the mountain is measured in degrees Kelvin as jade is priced for its warmth. You said he trashed the place. Shortcuts for the machinic here of what we are now and erosion and less a Melusine and Raymondin at Partenay bas-relief than I was in the heat of it. Still-life with B.T.H. CS7A silicon crystal. Still-life with no external power source. Still-life with variable condenser from [one position] to [the other] in order to cover the whole wavelength range. Still-life with series resistance equivalent to the reflected crystal load resistance; still-life with the capacitance of the aerial to earth and the aerial's effective series resistance. Still-life with a number of ex-Government surplus units. Still-life with 85 turns of 24 S.W.G. double cotton covered wire tapped at [indeterminate] turns from the earth end; the earth lead-in wire to the bolt; the [other end] of the lead-in to the earth connection on the receiver. Still-life with a .0005 mfd. variable capacitor as the tuner (soldered across the stator terminals of two-gang variable capacitor). Still-life without Germanium crystal diode (Sylvania type 1N34 (Allied 7-219)); Germanium minimum voltage is approx. 0.3 V and Silicon is 0.6 V and [a compound of silicon carbide] is 3 V (the high [silicon carbide] voltage is the reason why a [bias battery] is {necessary} to move the threshold down so that the weak RF signal voltages can be {detected}) (cf. a still-life with a filament rheostat of approx. 8 ohms max. will be required if a valve takes 5 volt and .65 amp.). Still-life with two coats of shellac. {Slowly} dragging the cat-whisker spring over the B.T.H. CS7A silicon crystal's surface with the tuning slide centred on the coil. Can't hear shit as the wind verbs.

18.12.25

Four Poems by Mark Young

A line from Du Fu

 

Off-screen, a psychiatrist can be heard

leading conversations which exhort

patients to let ego go & move to a

different dimension where Netflix is

 

part of the Persian Empire. Temper

outbursts become routine, the wee-

ping voices rise straight up, cry out

for attention since they lack the nec-

 

essary skills to self-settle. The Kurds

of Turkey & Iran say that crying is

necessary to develop the voice. It

seems they always loved soul music.

 

 

Concertina Bliss

 

Find the sunlight. Drink a glass

       of water. Drag the large

red pin with the dot to any desi-

       red location. As promised

by the realtor it's practically fail-

       proof & very easy to use.

That is, until the butterfly effect

       takes over or there's no

GPS signal, & a dense & busy sche-

       matic results. Metallic

gold foil may now glitter in the

       light; but how do you

communicate a circuit to a human?

       How does a defibrillator

work? How to demonstrate that

       each clustering algorithm

comes in two variants as stated in

       the client list that the att-

orney general says she has on her

       desk? Learning about sci-

ence can sometimes seem scary, so

       get that ebook for free now!

 

 

Deconstruction / Reconstruction

 

Robert Rauschenburg took

a Willem de Kooning nude

& rubbed it out to make the

point that all art is transitory.

 

Jorge Luis Borges tells of the

rewriting of Don Quixote in

a manner indistinguishable

from the original of Miguel

 

de Cervantes. Then there was

William Seward Burroughs

who cut up text, & rearranged

it in a different order in order

 

to create new texts. Who, when

describing the technique in a Times

Literary Supplement piece, attri-

buted it to a Lady Sutton-Smith.

 

 

Slightly belligerent

 

The presence of new actors in

modern asymmetric conflicts

calls for visual aids that can

significantly enhance under-

standing. It's important to

foster an environment in

which the skills & disposi-

tions associated with those

 

axiomatic rules of war can be

updated to allow complex in-

formation to be visually navi-

gated so that dynamic spaces

exist for interactive problem

solving.