19.1.25
Two Poems by Stephen Mead
Going Under
It won't
be so bad you know.
Perhaps a
nice light rain, almost warm,
the
droplets enough hush
to keep
focus centered, no sliding
off of
calm. Of course
motion is
a must, to simply keep walking, one step,
then the
next, every breath well-
placed to
avoid surrendering
will and
blacking out.
This bed
of liquid asks at least
for
deliberation, nothing else
really, a
few strategically deposited stones
and shoes
left
as
markers just outside the
tide's
reach. Also,
song is
essential, some music
either
hummed or imagined to fill ears, senses,
so the
nostrils, mouth, lungs
remain
stationed in a sphere
of
cognizant preparation,
the
rationale of fingers,
limbs
dancing submerged.
Facing
Disappointment
Rarely
easy money:
nerves
entangled,
catgut on
cobblestone,
birds
pecking:
a lovely sight.
Melt,
melt back
to the
empty air space of fervor.
Now first
visions accept defeat.
Who can
resist it, this almost bag
lady in
her backwards blouse, costume pearls,
hair
barely combed, rescued, if you want to call it that,
by her
dead husband's pension,
all the
lost change of some posh 1950s gentlemen's room
in an
historic Iowan hotel.
Her
features tell the story.
Ours'
too, chin up, eyes hot, blinked clear,
defying
break down.
13.1.25
Apparition Poem #1180, by Adam Fieled
a daytrip inside her
head; there were kids’
toys, storybooks, red
monsters, fire trucks,
silver streaks, stairs,
rooms everywhere, it
was a funhouse, but
in each mirror she
looked different, and
I couldn’t see myself—
2.1.25
Four Poems by Mark Young
Taxonomy
It is the
animal entire
though taken apart
it might not
seem so. An-
alysis is a
handy tool
but draws
the breath
from. Leaving
shavings in
the long grass,
bleached bones,
the meat dis-
carded since
it otherwise
hides the frame.
The Ladies of the Afternoon
It is a different time
of day; & so the term —
though similar — de-
scribes a totally different
coterie. The ladies of
the afternoon, all
members of the same
choir, sit in their long
dresses in the drawing-
room listening to
one of their number
play Pathétique on
the new piano. A deli-
cate applause follows.
Later
The root here is "dote;"
which, based on an older
version of Adobe's now-
defunct Flash Player, means
"to show affection." That's
an empirical overview —
further analysis, whose
political purpose is
to imagine the kind of
interruption & disturbance
Taylor Swift & James Taylor
singing, say, Falling in Love
with Love on a prime-
time variety TV show
might do to the economy,
reveals a series of
corrections. How we
look now is not how
we have always traveled.
Galapagos
Thunder somewhere. Again
the moths. Light bends in a
severe curve to show me
where I've been, not where
I'm going. Star Trek re-runs
taping upstairs, L. in Mel-
bourne, the cat having to be
shown the meat in her bowl
before she starts eating it once
more. Like me she's growing
old, too foolish to come in out
of the heat, out of a humidity so
thick my cigarette smoke needs
claws to fight its way through.