29 November 2023

Four Poems by Adam Deutsch

Soft Watershed
 
Where every door today opens 
to some farm, horses’ teeth grass in a season 
of no blankets strapped to bodies in mourning. 

A pig scratching rib-chub on a hayloft ladder, 
and there, between toes, a nugget of garlic
to sooth an itch. Your knees are on 

a cracking shower mat you thought we threw away,
rolled out at the crawl space mouth
where earth is dark and rain moves it to mud.

A pipe leaks irrigant, a root 
giving its younger brother a noogie, 
a valve acting like it’s a dam, 

a city fleet en route on some planting day. 
For the area of intentional garden, 
our mothers go to succulent vendors, 

landscape tenders, haul surplus
amended earth to cover ground. You hide hands
under the house, where palms get enflamed 

from some force task. A sprinkler goes 
off in an hour near noon, 
and everything it touches singed by sun.


Around the Nice Mall

once driving, we’re all brutal together—a conga line mosh pit. red lights hitting heads. if one hand comes off the wheel and those two fingers rise, it’s the sign for peace or taunting victory. you’re all, thank you, or, take that, buddy! the cut off. winning in a road, and an arrival home some few moments later, without having missed those commercials that run before the previews before the movie. these clearances from these clearance racks.

where people get off and on free ramp ways, and everyone needs to blinker over lanes you think all the vehicles must be friends. the Liberties, Infinities, Sols, Civics, Tundras, Explorers, Avalons, Centuries, Crowns, Beetles, Quests, Leaves love each other, and we raise our arms out their windows, to make the mergings with consent. 

it’s possible, in gratitude, you’ve looted time. but then nobody follows you off the southbound. there’s no counter strike coming through the juncture, so a battle you didn’t even mean to declare, friend, gets decided for you. 

 
When This City Isn't Made Loud
 
You wake again to the feral parrots whistles, 
each of their little hearts that beats, then beats, 

and starts over again. The marine layer this early
swaddling our region the way a yawn makes a song

of abundant wind: mostly silence. It’s in that space
you invent, and reinvent the hot shower 

in a light that’s never dissolved, claim it clearly 
like ice water in tall glasses, and your toes

in the narrow nails of grass that barricade a park’s sprinkler
head with soaked shanks. You can hear you think 

about your rituals that rumble, that peace of repetition,
dependable as a stone in the middle of sweet drupe.

Count on it, and the clicking of its bounce on concrete
down the steps, along the gutter. You can hear it long.

 
Neighborhood to Neighborhood
 
A walk from the mesa to the down
town is a rock’s little dance atop a toilet paper roll 

a freeway shelters, arterial ramps, and faded line paint.
Fingers that make sounds also stretch 

their knuckle collection, or’re tough meat mounds 
of hand that rest half closed in what feels like

the safest space between palm and fist. 
And gravity holds you, so reluctantly you know

you could go flying at any moment. You’re fragile
as a homemade microphone, a piezo held 

to a beer can’s bottom with gum, an uncomplex system 
that draws a mouth from a body, it’s soft chitter 

that translates to a city that reaches up to clean mess off of us. 
A deep shadow, a walking sweat, is thrown

from a car: an egg you can catch
in a sling of bandana gently torn of blanket